Beneath Suddenly
Ronald Feldman Fine Arts, New York, NY
Jan 7 - Feb 11, 2012
“Schlossberg is clearly interested in the relationship between art and language in his insistence on the visuality of the object mediating the meaning of the words.” – Jonathan Goodman, Art in America
The twenty-one paintings are similar in format: monochromatic space is activated by geometric shapes, patterns, and color which combine with fragments of thoughts that suggest different narrative lines and converging paths. Each panel is lit by a free-standing photographer’s lamp. The series is informed by the intersection of forces found in nature: the need to describe, conceptualize, and...
The twenty-one paintings are similar in format: monochromatic space is activated by geometric shapes, patterns, and color which combine with fragments of thoughts that suggest different narrative lines and converging paths. Each panel is lit by a free-standing photographer’s lamp. The series is informed by the intersection of forces found in nature: the need to describe, conceptualize, and symbolically communicate the consequences and intricacies of all the astonishing phenomena that one can imagine-beneath the surface.
Consciousness Enables Longing
Every Way
Every Star
In Stardust
Looking Away
Composing Direction
Consider Stardust
Conversation Striving
Discomfort Includes Discovery
Energy = Information
Ever So Slowly
Everything Moving
A Goal of Extreme Beauty
Light Grows
No One Level
Patterns
Songs That Start
Still Because Stopped
Suddenly Beneath
Time Passes
We as Information
Wrestling Myths
Other
Exhibitions