Edwin Schlossberg Art

Nothing can be made in pieces

As words become

Not Caught

[Once]

[Myself]

How to see

What if I knew

Nothing is infinite

Sight Interaction

Fragments

Patterns in light

Nothing remains in disguise

One Cycle

I Object Defy Myself

Start Here

Deliberate

Edges

[ABC]

Consider to Dispel

I Find Me

I Wanted To Read To This Poem

Soil Close

Letters of Poems

Form Repeats Edges

Certain

Relevant

Codes, Faces, Edges, Thought

There Is Nothing Here

Thoughts Lie Close

Apart is Between Here is Through Out

Refinding Self

Words

Nothing Stops Me

They

Change

Get Words Right

Stop Stare At A Loss

As I Observe

Composed

Timed

Without Trying

Poetry Myself

Broken Codes

Placed

No Count Through One

Edwin

Lines of Thought

Through To

Four Lines For Words

Here Poetry Ebbs

Words Are Not

Site

Edges

Last

Consider to Dispel

Letters Read

Edges

Wind Through Leaves in Mind

Words Form Apart

Tears

Actual Fracture

Fracture

Fragments from a place

Get out through

Lost is not losing

Closing continual silently

Reflection in absence

For myself

Words surface words

Still

I object defy myself

Through

Words form apart

As always emerging

With in breaks

Number

Letter Dies: Words

Here what is seen is thought

Letter Dies: Codes

Letter Dies: Edges

Words lie in mind

Found out

We return from angle

At edges

“I hope they see the words and then I hope they see themselves.” – Edwin Schlossberg

The works in this series represent the earliest work of art included in any public exhibit. Unlike the other shows of the artist’s work, in which pieces were similar in media, dimensions, and format, the works in the series Visual Presence range from three-foot sheets of vinyl to on inch plexiglass cubes. In much of this series, Letrasign and/or Letraset (two types of applied lettering) were used. Letrasign adheres to a surface like a tape and can be pulled off. Letraset is affixed to a surface by pressure applied to the wax paper-like backing of the letter.

The Visual Presence series includes works that have not been exhibited. Each of these shares a similarity with one or more of the exhibited works, specifically similar media, technique or date of creation.
Visual Presence includes works created from 1964 to 1978.